In 1900, in the same restoration, the damaged fresco by Cavallino was discovered behind wooden panelling in the nuns' choir over the entrance vestibule. The first unambiguous documentary reference, apart from the legend, is in the list of priests attending a synod u… Cardinal Paolo Sfondrati re-opened her tomb in 1599, and when he found her body intact and incorrupt he asked Maderno to make a sculpture of her. The nuns are on record as having extended this in order to provide space for burials in the 17th century. The left hand wall of this corridor is party to the adjacent Cappella Ponziano, which is rectangular, and beyond that is the Chapel of the Relics which is square. These light the nuns' choir. When the convent was flourishing, this block housed the chaplains and domestic servants. As a result, before the 20th century layout of the garden you could stand in the piazza and view the statue of St Cecilia under the main altar by looking across the courtyard and through the open door of the church. A Cosmatesque floor was laid, and this has also gone. Tradition holds that the church was built over the house of the saint. Given that the viewing arrangements for the underground areas and the Cavallini fresco are now regularized, it is requested that visitors do not accost any of the nuns or clergy to ask for access to these, if this is not already being provided. Below this mosaic panel was the cycle of frescoes on the life of St Cecilia by Pomarancio. This finial has a form that imitates those on the parapet of the campanile. The marble sarcophagus was found to contain a wooden coffin lined with silk and with the body in a gold-embroidered shroud, just as described in the Liber Pontificalis. Cardinal Rampolla wished to restore the church to its presumed mediaeval appearance, but could do little apart from having the crypt built. One of the lesser-known churches in Rome, Santa Cecilia in Trastevere Basilica is a fantastic stop if you are exploring Trastevere neighborhood. The apse originally had three round-headed windows, traces of which can be seen from the outside. 9th century, rebuilt in 18th century St Cecilia in Trastevere Next to this, under the church's loggia, are remains of what might have been a private house with a surviving wall in opus reticulatum and a floor in opus signinum with a decorative triple meandering curve in white limestone tesserae. (This is the object of some popular devotion.) Pictures of the church at Wikimedia Commons are here. We compare all major car rental companies to find you the best car rental deals in Santa Cecilia in Trastevere, Lazio. It merely reads: Franciscus, titu[lus] Sanctae Caeciliae car[dinalis] de Aquaviva. This chapel is private. The famous archaeologist Antonio Bosio also left a description. The Basilica of Santa Cecilia in Trastevere in Rome is named for the patron saint of music, who was martyred and died around the year 230 at the site where the church was built. Further work was done in excavating under the church in 1958, resulting in the present underground area, and the bapitstery under the Chapel of Relics was excavated in the 1980's and 1990's. The present church was built by Pope Paschal I (817-824) in 821, and an autobiographical account by him of the finding of the relics of St Cecila is preserved in the Liber Pontificalis. Christ wears a Roman toga in cloth-of-gold with a laticlave or wide purple stripe, the latter being a sign of high rank. (There used to be viewing on Sundays 11:15 to 12:15, but this was stopped recently). $55.95. A house from the Imperial era was also found, part of which had been converted into the baptistery. On 22 November 545, Pope Vigilius was celebrating the Feast of the saint in the church, when the emissary of Empress Theodora, Anthemius Scribo, captured him. The central portal is arched, with a molded archivolt and a strap finial on the keystone. If  he had succeeded, the church would have joined several others in the city which suffered ideological restorations between 1870 and the Second World War. Cecilia et socris rutilat hic flore iuventus, quae pridem in cryptis pausabant membra beata, Roma resultat ovans, semper ornata per aevum. The original crypt was a small semi-circular room which was most likely dug as a confessio when the 9th century church was built. These are within the ancient plan of the church, and look like guard chambers. The legend quickly became popular and was translated into Greek so that St Cecilia is now venerated by the Eastern churches also. To see the fresco, you must ring the doorbell to the left of the church's entrance. It is in the form of a Gothic tomb-chest, with a recumbent effigy on top. A mosaic attributed to him can be seen in the nearby Santa Maria in Trastevere. [5], Media related to Santa Cecilia in Trastevere at Wikimedia Commons, Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}41°53′15.2″N 12°28′33.21″E / 41.887556°N 12.4758917°E / 41.887556; 12.4758917, Façade of Santa Cecilia, a 1725 project by, Beneath, in the remains of Roman construction, are cylindrical well-like granaries in, Chris Nyborg, "Santa Cecilia in Trastevere", Roman Catholic ecclesiastical province of Rome, Boncompagni Ludovisi Decorative Art Museum, Museo Storico Nazionale dell'Arte Sanitaria, https://en.wikipedia.org/w/index.php?title=Santa_Cecilia_in_Trastevere&oldid=994759437, Roman Catholic churches completed in 1725, Articles with unsourced statements from March 2016, Articles with Latin-language sources (la), Articles with Italian-language sources (it), Wikipedia articles with MusicBrainz place identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 17 December 2020, at 11:28. The apparition of St Cecilia to Pope Paschal, and his subsequent discovery of her body in the catacombs in the 9th century, is depicted in a poorly preserved 13th century fresco at the end of this aisle. However the model of the sculpture here was not in pottery, but metal. Only a limited number of people are allowed to enter the choir at any one time, and it might close earlier than the scheduled time. Some older elements were preserved, notably the baldacchino and apse mosaic, but a new ceiling vault in a restrained Baroque style was inserted. The Greek menologies (i.e. Below, there is a long inscription in gold on dark blue. 06 71 88 626. You really shouldn’t miss visiting this lovely church. The Cappella Ponzani or Ponzianica is structurally mediaeval and seems to have been added in the late 13th century. Under the ciborium of di Cambio that shelters the main altar, is a glass case enclosing the white marble sculpture of St Cecilia (1600) by the late-Renaissance sculptor Stefano Maderno. The church façade above the loggia fronts the central nave only; the aisles have no frontages (the right hand side is occupied by the campanile, and the left hand side by the internal access to the nuns' choir). The ceiling of Cappella dei Ponziani was decorated God the Father with evangelists (1470) by Antonio del Massaro (Antonio da Viterbo or il Pastura). There are six pilasters in a derivative Composite style, two pairs at the outer corners and the other two between three large rectangular windows with molded frames. It was the funerary chapel of the Ponzianica family, to which belonged the husband of St Francesca Romana. See below under "Access" for details about opening times. On the opposite side is the tomb of Cardinal Niccolò Forteguerri (died 1473), partly by Mino da Fiesole. The entrance is closed off with a grille, but you can look through this to see frescoes of the school of Pinturicchio, all executed by Antonio da Viterbo nicknamed Il Pastura. He also painted the musician angels in the vault, and The Angel Appearing to SS Cecilia and Valerian on the right hand wall. IT IS REQUESTED THAT VISITORS REFRAIN FROM ACCOSTING NUNS OR CLERGY TO ASK FOR ACCESS TO CLOSED AREAS. However the architrave below this is a strip of 12th century mosaic in a vine tendril pattern, the dominant colours being blue and gold with spots of red. These bronze pomegranates can be found elsewhere in the church. On the right are St Peter, St Valerian and St Agatha. The sanctuary wall cuts off the final structural bay of the nave. The Catholic Church no longer considers that this is automatically a sign of sanctity, after numerous cases reported in the forensic science literature of incorrupt bodies. In between is a row of large grated apertures in the form of Baroque cartouches (some long, some almost circular), and these give light to galleries leading from the convent buildings to the nuns' choir over the entrance. The altarpiece of the saint is by Giuseppe Ghezzi, of 1676. This suppressed the ancient parish attached to the church. The statue of St Cecilia is by Cesare Aureli. The church of Santa Cecilia is another great church that you shouldn’t miss in Trastevere. The façade above the loggia was designed in 1725 by Ferdinando Fuga, who had been commissioned by Francesco Cardinal Acquaviva d'Aragona, titular priest of the church 1709-1724. Anna Maria Panzera and Mario Bagordo: La Basilica di S. Cecilia. A major re-ordering of the parishes of the Centro Storico took place in 1824, under the bull Super Universam issued by Pope Leo XII. Also there is an enclosure doorway leading into the present nuns' choir, which has an altarpiece depicting a Crucifixion between SS Ursula and Cecilia. The neighborhood is home to 3550 hotels and other accommodations, so you can find something that works for your stay. There was a restoration in 1957. Santa Cecilia in Trastevere is one of Rome's most beautiful churches. However, the nuns now realize the importance of the work and the interest shown in it, and have regularized access by payment. The working convent, occupied by the black-habited Benedictine nuns of St Cecilia, has its original core adjacent to the church on the left hand side. The Chapel of the Crucifixion has a doorway in the right hand side of the entrance vestibule, and also access through the first door on the right in the right hand aisle. If you go to San Saba on the Aventine, you will find an ancient basilica with no ceiling and an open roof, just like this one used to be. However, if the entry in the Martyrologium Hieronymianum can be dated to the early 5th century (not a foregone conclusion), then that is the earliest evidence. The guide in 2013 was Neda Parmeggiani, who has co-authored a book on the excavations. The Gothic canopy was made, and signed, by Arnolfo di Cambio in 1293. It was well worth attending. The original location was here, but it was moved to the right side of the courtyard in the Middle Ages and only put back in 1929. These four putti were sculpted by Agostino Corsini. The origin of the design is a genre of Greek pottery wine vessel, which is thought not to have been for ordinary drinking but for toasts and libations in religious rituals. Very ornately done and beautiful inside, but don't expect any information in English. Roman Catholic His interest arose from his campaign to bring all known relics of the Roman martyrs from the catacombs to new shrines within the city walls; this was because the countryside around Rome was being overrun by marauders, and the catacombs were unsafe to visit. Anderson, Roma - n. 0075 - Roma - Chiesa di S. Cecilia.jpg 770 × 597; 353 KB Some of the walls were rather crudely decorated with frescoes depicting curtains (vela), and these were renewed when the baptistery was renovated by Pope Paschal. Santa Cecilia is a basilica church with no transept and a north tower. English: Santa Cecilia in Trastevere is a church in Rome. The baptistery is clear evidence that there was a church hereabouts by the 5th century. Here also you can buy guidebooks and postcards. In the same campaign the relics of SS Valerian, Tiburtius and Maximus were transferred from the catacomb of St Praetextatus and enshrined in another marble sarcophagus. Tragically, the Cosmatesque floor was ripped up and replaced by boring terracotta slab work. Titular church When Fuga restored the façade, he lowered the surface of the courtyard so that the level matched that of the floor of the church. In this period she donated her house to become a church, and after her death, Urban buried her in the Catacombs of Callistus (Catacombe di San Callisto). Because the monastic cloister is immediately against the left hand side wall of the church, there are no external chapels there. In 1962 the sanctuary was restored, under the supervision of Igino Pineschi. Some scholars argue that the chapel was built by Pope Paschal (although there is  no direct evidence of this), and that the remains of the domestic bath-house preserved therein were either already known or were discovered in the building works. He was responsible for "de-baroquing" several ancient churches, but was not able to get his hands on this one. Welcome to Saint Cecilia Parish, a Roman Catholic community that gathers day by day, week by week, to know and make known the grace of God. To make up for the relative lack of side chapels, the aisles of this church contain several altars. To the right of the main door is the tomb of Cardinal Adam Easton of Easton in Norfolk, England (died 1398), who was titular of this church. They are, as you walk along: SS Stephen and Lawrence, deacons and martyrs. The saint is shown doing penance in the Judaean desert. The marble statue of her here was installed by Cardinal Ceretti in 1925, after she had been canonized. Above the capitals of the pilasters on each side are strapwork corbels which support a cornice, and a higher cornice bears the springers of the ceiling vault. The altarpiece is attributed to Giovanni Baglione, but an alternative attribution is to the school of Muziano. Rediscovered in 1900, the fresco may be viewed during limited weekday hours for a small 2,50 euro fee paid to the Benedictine nuns who of the church. Some people wonder whether the statue has a face. Artists: The work dates to 1767. The centre of the vault has a large fresco by Sebastiano Conca from about 1727, depicting the Coronation of St Cecilia in Heaven. Hence, some publications quote a date of around 225 for St Cecilia's martyrdom. is a 5th century church of Rome, located in the Trastevere rione and devoted to Saint Cecilia.HistoryThe first church of Santa Cecilia was founded probably in the 5th century, by Pope Urban I, and devoted to the Roman martyr Cecilia. ... during the renovation works, Cardinal Sfondrati had the tomb of Santa Cecilia opened, thus revealing the miraculously intact body, dressed in white and with wounds on her neck. This statue could be conceived as proto-Baroque, since it depicts no idealized moment or person, but a theatric scene, a naturalistic representation of a dead or dying saint. Perhaps the main attraction is Pietro Cavallini's Last Judgment fresco, often cited as the masterpiece of the artist who, with Giotto, was a prominent Late Gothic artist and a forerunner of the early Their job is to spin and weave the pallia, which are then presented to the deacons at San Giovanni in Laterano, who in turn pass them on the deacons of St Peter's. “Trastevere” (trahs TAY veh ray) means “Across the Tevere.” “Tevere” is the Italian name for the Tiber, the large river that flows through Rome. Phone: The floor and altar have Cosmatesque decoration; the former is 11th century, but was re-laid in the 1600 restoration. Natalie Natalie is a food and travel writer who has been living in Rome full time since 2010. Rome2rio is a door-to-door travel information and booking engine, helping you get to and from any location in the world. With the help of her guardian angel, actively involved in her case, she persuaded him to agree to respect the vow and to go down the Appian Way to find a bishop called Urban living in the catacombs. The church has an upper gallery over the entrance, originally possibly reserved for the use of women and which was made into the nuns' choir in the 18th century by inserting a screen wall with windows. (This is not as obvious as might first appear, because it meant that the church was not available for worship during the demolition and rebuilding.) These are his only known painted works, as he is better known as an architect. Rome2rio makes travelling from Roma Termini to Santa Cecilia in Trastevere easy. Details. However in the past the story was very popular, and it has obviously influenced the artworks and devotional layout of her church. This is partly because the roof of the church is rather low in proportion to its width, so the shallow curved vault of the ceiling is slightly oppressive. Free cancellation on short & long term car rental. The pope relates that he himself enshrined the relics and coffin in a marble sarcophagus under the altar of his new basilica, for which he provided an apse mosaic featuring a representation of himself. This is a serious puzzle, leading to a theory that the church was only founded in the fifth century when the baptistery was provided. Below, twelve lambs are shown leaving Jerusalem and Bethlehem and approaching the Lamb of God. The vault has the Eternal Father with the four evangelists, while the side walls have saints. However the main ranges are on either side of the courtyard, and also flanking the nuns' vegetable garden which is to the south. The mediaeval doorcases are molded, in pavonazzetto marble. St Teresa of the Child Jesus, at the far end. The original composition also covered the wall surrounding the apse, where the papal busts are now. Over the bust of the deceased is a relief showing the discovery of the relics of St Cecilia. The figures on the corners are the four saints of the church -Tiburtius is shown seated on a horse. Two other putti are above the outer pair of posts. The name Cecilia (properly Caecilia) simply means that the patron saint here was a female member of the ancient plebeian clan known as the gens Caecilia. This aisle contains three along it, and one at the far end. The 1st church was built in the 3rd century by Pope Urban 1, supposedly on the site of the martyred saint’s house. In the 4th it was transformed by the addition of a large basin, and the re-laying of the floor around it with new mosaics; this basin might have been the plunge-pool for the bath-house adjacent to the south. This is the only surviving painting by Cavallini (apart from a water-colour), and ranks as among one of the most important art-historical works in the world. When they are open, there should be someone (often one of the sisters) to sell you a ticket in the room at the bottom end of the left hand aisle. Exactly the same arrangement exists here, except that the ceiling now conceals it. There is a marble copy on the wall here of the account by Pope Paschal of the finding of the body of St Cecilia. There is an entrance fee of 2-5 euros, which is in addition to what you pay to enter the underground areas. (Beware of erroneous renderings of his surname as Hertford or Hartford.) Here is the entrance to the crypt, nowadays kept locked. The present appearance of the interior of the church is partly the result of a restoration performed on the orders of the titular cardinal, Francesco Acquaviva. The nuns have been here ever since. The new community inherited a very important tradition. The commission was carried out by a team of artists comprising Giovanni Zanna, Tarquinio Ligustri, Marco Tullio and Vincenzo Conti. The Romanesque campanile is over the lower end of the right hand aisle, and the external chambers itemized above (except the far ancillary rooms) are under a pitched and tiled roof which also covers the right hand aisle. Perhaps the main attraction is Pietro Cavallini's Last Judgment fresco, often cited as the masterpiece of the artist who, with Giotto, was a prominent Late Gothic artist and a forerunner of the early Renaissance. Three longitudinal rows of grey granite derivative Composite columns (a total of twelve, with a further eighteen against the walls) support an arcaded vault with rosettes on the archivolts and seraphs and scrollwork in the vaulting. , then come Valerian, Tiburtius and Urban at the time Bagordo: la basilica di S... 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